I was at the Victoria Concert Hall last night, watching my friend sing with The Philharmonic Chamber Choir, together wit the Singapore Bible College Singers, in their Christmas offering, A Ceremony of Carols.
Can't actually remember when the last time I was there, but yup, the place is still using that old loud buzzer to tell the performers it's show time. shouldn't they do something about that buzzer? i mean it's so loud, the entire concert hall knows that the performers are coming out.
in any ways, the night was good. the choir started with
Lux Aurumque, which was a not bad opening piece, but things got better.
for me, what really made the night was their rendition of Jan Sandstrom's
Gloria. i love choral pieces, but i'm not learned in the field. but what i have to say is the remarkable exclamations that were sung out by soprano and tenor soloists (my friend being one of them).
so i was being enchanted by the choir, and then the first soprano soloist sung.
and i was blown away. firstly, the voice was beautiful and rich. secondly, it was pitch perfect. and thirdly, the voice was a he.
that wasn't derogatory in any manner. just that i am always, always, amazed by male sopranos. this guy, Phua Ee Kia, was just standing there amongst some other females singers, and belting out
'Gloria!' like that's what he does everyday, which is probably true for the past few days/weeks leading up to last night.
and of course, in reply to the soprano soloist, the tenor soloists were great as well. Yoh Shirato's voice was deep and thick, with a soothing feel to it, and Fabian Yiong was probably the only name you'll remember after the night.
because before the choir started, before the intermission, and at the end of the night, there was this cheerleading group that shouted out "Fabian!" or "Mr Yiong", like those secondary/junior college performances and the audience's puerile behaviour. okay, so, i have to say something good about Fabian. as usual, his solo part was on pitch, and there was this great emotion behind his singing. and i was totally caught off-guard by how his choral voice sounded, because it's very different from the way he speaks.
i wasn't really impressed with
A Ceremony of Carols, which teetered dangerously close to boring, but against i love the soprano soloist, Fu Shi Hua. and she looked like Flora from my school, so the whole night, i was like staring at her and trying to imagine Flora singing.
but what really stole the show i think was the harpist, Yu-Hsin Huang. firstly, there's that beautiful harp standing on stage. and then she was wearing this sleeve-less, yellow sequined dress, very prom-night kind (and i was so glad that there were no wobbling of any kind, thank you very much). and the sound of harp plucking... is just heavenly. there were some parts that i was actually smiling (don't laugh) to myself, because the harp was so lulling-ly beautiful. and there were some parts when i was just listening to her play, and the choir faded to the background.
ok, after the intermission, the songs were very the average.
the rendition of
O Tannenbaum was interestin,
Ding Dong! Merrily on High had a good 'ding dong' part. but i really didn't liked their
Have Yourself a Merry Little Christmas. i think maybe i'm biased, but i think that piece should not be made into a choral piece... it takes quite a lot of out the song.
and this is the kicker: they ended with a sing-along session of carols. i was amused. the guy next to me was singing with gusto. he had a nice voice though. but it felt kinda surreal, like i'm some misfit at some Christmas mass or something.
walking out, i saw Dr Stuart Koe, who looks quite intimidating in person. which of course reminded me of the Repeal 377a hulabaloo the past 2 to 3 months.
isn't it funny how something quite so contentious gets swept under the rug so fast? (shall not explode into any political diatribe here, since this is a post about the concert last night)
so merry christmas in advance :)